Headstone.
Compartment for smell container. Soil + metals for trenches and blood.
Title of hardtack cracker that was eaten monotonously.
Through
experience design, food can serve as a new form of Anzac memorialisation to engage
with and generate empathy within young, disconnected New Zealanders.
Anzac Day is central to New Zealand’s cultural
collective memory. However, a survey I conducted showed that 66% of youth aged 17-25
felt removed from the war, citing an association with boredom and a lack of
personal connection as leading causes.
My investigation into present forms of Anzac
memorialisation revealed the dominance of static, one-way communication. This traditional
model is ineffective as audiences have developed immunity from its repetitive
and inflexible nature (Gobé, 2001). Experience design can
engage and connect with an audience “in a personal, memorable way” (Pine &
Gilmore, 1998, p. 99). With a strong focus on visual and aural experiences,
previous Anzac memorials have neglected the strengths of touch, taste, and smell
in communication and memory creation (Kavanagh, 2000).
Food is a commonality that can
link cultures and generations (Guptil, Copelton & Lucal, 2013). Through this lens, I began my design response by replicating the
monotonous diets of the Anzac soldiers. There was a high level of interest in
this experiment as it provided a different angle to the Anzac story. Furthermore,
it provided a personalised experience by inviting the audience to generate
their own meaning.
My research through personal accounts informed my following experiments. I focussed on replicating the food eaten, place eaten, time eaten and time between eating.
My research through personal accounts informed my following experiments. I focussed on replicating the food eaten, place eaten, time eaten and time between eating.
I propose to create a palatable memorial
experience as a new form of Anzac commemoration. By utilising food as a
commonality, I intend on focussing on the forgotten senses to communicate a
sense of time and place—providing young, disconnected New Zealanders a ‘first
hand experience’ of war.
---
Feedback:
- engage with big stories through little things.
- initiating sparkr of empathy to create bigger interest for further research
- food to start conversation—Anzac biscuits have just become this thing we eat without further thought. Cracker can start a conversation (talk about the things people have said after eating cracker)
- Precedents: Holocaust Museum Washington DC, Vietnam Veterrans Memorial DC (shiny granite, 'see yourself in it'. Cambodian killing fields: 'last sound they heard'.
- Forgotten senses: talk about Anzac Day story can be told through taste (mainly); and find other potential applicable stories that can be told through another forgotten sense.
- What are the memorials like now? Why are they boring? (required to have interest already prior to engagement?)
- Talk about the audience: how they live in the 'now', moment to moment type living. # yolo and other trendytype talk.
No comments:
Post a Comment